CV
Solo Projects
2022 | Marie Lorenz, Charon Crossing, DUSTY Gallery, Austin, Texas | 2021 | Gaia/Gyre/Siren, Artist Book Vitrine, Bravin Lee Programs, New York, New York | 2019 | Waterways, Susanne Lemberg Usdan Gallery, Bennington College, Vermont |
De Fluyt en de Hoi #5: Tide and Current Taxi, Rib Gallery, Rotterdam, NETHERLANDS | ||
Ash Heap / Landfill, Contemporary Gallery, Georgia Southern University, Statesboro, GA | ||
Marie Lorenz, Travels 2010-2019, Tyler Art Gallery, SUNY Oswego, New York | ||
2018 | Graybelt, Multimedia Project funding by Planet Texas 2050, Bridging Barriers | |
Ash Heap / Landfill, Lupin Foundation Gallery, Lamar Dodd School of Art, Athens, GA | ||
2016 | Tide and Current Taxi, Everson Museum, Syracuse, New York | |
Erie2NYC, Urban Video Project and Lightworks, Syracuse, New York | ||
Flow Pool, Recess Activities, New York, New York | ||
Ezekia, Albright Knox Art Gallery, Buffalo, New York | ||
Kern Island, Todd Madigan Art Gallery, University of California, Bakersfield | ||
Derelict, Grizzly Grizzly, Philadelphia, Pennsylvania | ||
2015 | Drift Boat, Contemporary Art Gallery, Vancouver CANADA | |
2014 | The Valley of Dry Bones, Jack Hanley Gallery, New York, New York | Off Shore, Southern Exposure Gallery, San Francisco, California | The Field House, Contemporary Art Gallery, Vancouver, CANADA |
2012 | Archipelago, Jack Hanley Gallery, New York, New York | |
2011 | Smokey Hill River Ferry, Salina Art Center, Salina, Kansas | |
Waverunner Xv: Indices and Abstractions, Locust Projects, Miami, Florida | ||
2010 | Upriver, performance for the Hessel Museum of Art at Bard College, New York | Shipwrecks, Jack Hanley Gallery, New York, New York |
2009 | The Inner Sea, a web-log that documents exploration of waterways around Rome, Italy | |
2008 | East River, Night of the Hunter, The Glass Pavilion, Berlin, GERMANY | |
Marie Lorenz: New Work, Frederick Snitzer Gallery Project Room, Miami, Florida | ||
2007 | Narrative / Memory / Navigation, Hudson (Show)Room, Artpace, San Antonio, Texas | |
Icknield Port Loop, Ikon Gallery, Birmingham, England | ||
2005-2011 | The Tide and Current Taxi, ongoing performance providing water taxi around New York |
Group Exhibitions
2022 | Sculpture Garden II, Art Lot, Brooklyn, New York | Disturbances in the Field: Art in the High Desert, Nevada Museum of Art, Reno, Nevada | 2021 | NADA x Foreland, New Art Dealers Alliance exhibition, Curated by Jesse Greenberg, Catskill, New York | Re:Growth Riverside, Riverside Park, Curated by Karin Bravin and the Riverside Park Conservancy, New York, NY | 2020 | Rooftop Films by Robert Blackburn Printmaking Workshop Community, Printed Matter, New York, New York | Walking the Edge, Works on Water Triennial, New York, New York | 2019 | The Sorcerer’s Burden: Contemporary Art and the Anthropological Turn, The Contemporary, Austin, Texas |
The Commuter Biennial, Knight Foundation, Miami, Florida | |
The Trap Show, Where Container, New York, New York | |
If the Wind Blows, Robert Blackburn Printmaking Workshop Program, New York, New York | |
2018 | Cape Cod Art and Science Collaboration Exhibition, Cape Cod Modern House Trust, Massachusetts |
Rising Urbanists, Infrastructure for Coastal Resistance, Hunter College, New York, New York | |
Finer Feelings, Partial Shade, Austin Texas | |
2017 | Wanderlust, University of Buffalo Art Gallery, Buffalo New York |
An Ephemeral History of HDTS: 2002-2015, Copper Mountain Mesa, Joshua Tree, California | |
Centerpiece, Bomb Pop Up at Pete’s Candy Store, New York, New York | |
Attics of My Life, Jack Hanley Gallery, New York, New York | |
Shadow Cabinate, Artists Alliance Inc, Cuchifritos Gallery, New York New York | |
2016 | Wanderlust, The High Line, New York, New York |
Future Nature, Jack Hanley Gallery, New York, New York | |
Onion by the Ocean, Underdonk Gallery, Brooklyn, New York | |
Radical Seafaring, Parrish Art Museum, Water Mill, New York | |
2015 | International Artist in Residence Exhibition, Artpace, San Antonio, Texas |
Public Works: Artist’s Interventions 1970’s - Now, Mills College Art Museum, Oakland | |
Exhibit Hall 1, Center for Land Use Interpretation, Wendover, Utah | |
Providence, Musee International des Arts Modestes, Sete, FRANCE | |
Last Daze, Cinders Gallery / Space Gallery, Portland Maine | |
Arcadia, Thoughts on the Contemporary Pastoral, Boston Center for the Arts, Boston, MA | |
2014 | Crossing Brooklyn, Brooklyn Museum of Art, New York, New York | Frieze Projects, Frieze Foundation, Randall’s Island, New York | Strata, Arsenal Gallery, New York, New York | Free River Zone, Goethe-Institut, New York, New York |
Off Shore, Southern Exposure Gallery, San Francisco, California | |
Pier 54, High Line Art, New York, New York | |
2013 | Expo1: New York, MoMA PS1, Queens, New York |
Morphology of the Print, Lehman College Art Gallery, New York, New York | |
High Desert Test Sites 2013, Joshua Tree, California | |
Place to Place to Place, Planthouse, New York, New York | |
Through This To That, Present Company, Brooklyn, New York | |
Concrete Paradise, Coral Gables Museum, Coral Gables, Florida | |
Silent Beaches, Geoffrey Yeh Art Gallery, St. John’s University, Queens, New York | |
Sea Drift, Brooklyn Arts Council, Brooklyn, New York | |
Brooklyn Prints, St. Josephs College, Brooklyn, New York | |
Hook, Line, and Sinker, Nevada Museum of Art, Reno, Nevada (Catalogue) | |
2012 | Conflux Festival, New York University Barney Gallery, New York, New York |
Peekskill Project, Hudson Valley Center for Contemporary Art, Peekskill, New York | |
Boat Show, The Aurora Picture Show, Houston, Texas | |
Max Freiheit, Friends of Freiheit, North Adams, Massachusetts | |
Keep in Touch, Kunstlerhaus, Bremen, GERMANY | |
CTRL+P New Directions in Printmaking, Arlington Art Center, Arlington Virginia | |
Floating Through, The Antique Boat Museum, Clayton, New York | |
Drawings Related to Performance, Curated by Becky Kinder, 92YTribeca, New York, New York | |
2011 | YOU ARE HERE: Projects in (De)Tourism, ACE Curratorial Collective, Hunter College, New York, New York |
The Missing Library, Dumbo Art Center, New York, New York | |
Cinema at Sea, Currated by David Horvits, Satelliet Groep, Den Haag, NETHERLANDS | |
Seaworthy, Elizabeth Foundation and Flux Factory, New York, New York | |
Water Water Every Where, BRIC Rotunda Gallery, Brooklyn, New York | |
Dadarhea, Canada Gallery, New York, New York | |
Streams of Consciousness, Salina Art Center, Salina, Kansas | |
2010 | NADA Presents / Big Screen Project, Le Jardin Ballroom, Miami, Florida |
Dadarhea, OHWOW, Miami, Florida | |
The Maginot Line, David Castillo Gallery, Miami, Florida | |
Future 86, Catskills, New York | |
Galeria Perdida, Artist in Research, Chilchota, MEXICO | |
The Craft, Lehman College of Art Gallery, Bronx, New York | |
2009 | La Gioia, Palace of Exhibitions, Rome, Italy |
Spazi Aperti, Romanian Academy in Rome, Italy | |
Lo Sguardo Di Giano, American Academy in Rome | |
2008 | First Sight, a project with Lan Tuazon and The Drawing Center, New York, New York |
2007 | The Lasso Project, Art Space, New Haven, Connecticut |
Till I Die, Spencer Brownstone Gallery, New York, New York | |
Bivouac, Fields Sculpture Park, Art Omi, New York | |
700 Club, Columbia University, LeRoy Neiman Gallery, New York, New York | |
12345678910, Eleven Twelve, Galleria Pilar Parra and Romero, Madrid, Spain | |
Eternal Flame, Red Cat, Los Angeles, California | |
2006 | On Tour, Kunstlerhaus Bremen, Bremen, Germany |
Action Adventure, Canada Gallery, New York, New York | |
501 Lexington, The Lab, New York, New York | |
5 Sculptors, Workspace, Bushwick, New York | |
Local Transit, Artists Space, New York, New York | |
High Desert Test Sites 5, Joshua Tree, California | |
Secret Porthole to the Scope Art Fair, Scope Art Fair, New York, New York | |
2005 | The Tide and Current Taxi, Seven day performance providing water taxi around New York |
Circumnavigation, Three Day Performance Encircling the Manhattan Island, Artists Space | |
Fearless Vampire Killers, Casey Kaplan, New York, New York | |
ADD Videos, Wizard Electronics, Brooklyn, New York | |
The Museum of the Five Coldest Nights of My Life, Joymore Gallery, Brooklyn, New York | |
2004 | The Four Color Pen Show, The General Store, Milwaukee, Wisconsin |
Rowdy Remix, ATM Gallery, New York, New York | |
Strange Animal, LACE Gallery, Los Angeles, California | |
High Desert Test Sites 4, Joshua Tree, California | |
Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, Queens, New York | |
The Art of Beaver College, The Mockbee, Cincinnati, Ohio | |
2003 | High Desert Test Sites 3, Joshua Tree, California |
Lead Poisoning: Group Drawing Show, New Image Art Gallery, Los Angeles, California | |
Zoom Flume: Indoor water ride constructed in a Greenpoint loft, 234 Huron, Brooklyn, New York | |
De Fetal: Group Show, K.R. Space, New York, New York | |
2002 | High Desert Test Sights, Joshua Tree, California |
Rader im Fluss: Ten Projects for Salzburg, Festung Gallerie, Salzburg, AUSTRIA | |
2001 | Fort Thunder, Space 1026, Philadelphia, Pennsylvania |
Awards:
2023 | National Endowment for the Arts, Arts Project Grant for Newtown Odyssey Opera | |
2021 | Creative Capital Foundation, Creative Capital Award for Newtown Odyssey Opera | |
2018 | Artist-in-Residence, Shandaken: Governors Island | |
Artist-in-Residence / Film Production Grant, Planet Texas 2050, University of Texas | ||
2017 | Arts/Industry Resident, John Michael Kohler Arts Center, Sheboygan, Wisconsin | |
Artist-in-Residence, Cape Cod Modern House Trust, Cape Cod, Massachusetts | ||
2016 | Session Resident, Recess, New York, NY | |
Artist-in-Residence, California State University, Bakersfield | ||
2015 | Artist-in-Residence, Artpace, San Antonio, Texas | |
Artist-in-Residence, Center for Land Use Interpretation, Wendover, Utah | ||
2014 | The Field House Project Commission, Contemporary Art Gallery, Vancouver | |
2011 | Warehouse Residency, Salina Art Center, Salina, Kansas | |
2010 | Galería Perdida, Artist in Research Residency, Chilchota, MEXICO | |
2008 | Rome Prize Fellowship, American Academy in Rome, ITALY | |
2007 | Harpo Foundation Grant for Artpace, Hudson (Show)room | |
2004 | Independent Project Grant, Artists Space, New York, New York | |
Emerging Artist Fellowship, Socrates Sculpture Park, Queens, New York | ||
2002 | Hayward Prize, American Austrian Foundation | |
Alice Kimball English Travel Fellowship, Yale School of Art | ||
2001 | Norfolk Prize for Sculpture, Grant for Public Art in New Haven, Connecticut |
Bibliography and Writing
2022 | Frottage, Takuhon, and the Gyotaku Methods, Brooklyn Rail, Critics Page, February Issue |
2021 | Dylan Gauthier, Unlikely Attractions, Urban Omnibus, December 7 | Plot X, Journal of the Spitzer School of Architecture, City College of New York |
Artpace at 25, (Published by Artpace San Antonio) with essay by Cecilia Alemani | 2020 | Nicole Miller, “Posts from the Edge,” Urban Omnibus, September 9 | 2019 | "The Sorcerer’s Burden: Contemporary Art and the Anthropological Turn," with essays by Robert Storr and Heather Pesanti, Radius Books |
Robert Sullivan, “Lesser Islands,” New York Magazine, August 19 | |
Susan Delson, “Playful Riffs on Fact and Fiction,” Wall Street Journal, July 26 | |
John Chiaverina, “Hunting the Elusive Oyster Island with Marie Lorenz,” Art News, February 6 | |
Elodie Reed, “Artist Explores the Intersection of Art and Waterways,” Brattelboro Reformer, May | |
2018 | Robert Sullivan, “Tide and Current Taxi,” A Public Space, Winter Issue, 25 |
2017 | Elizabeth Albert, “Silent Beaches, Untold Stories: New York City's Forgotten Waterfront” (contributor) Published by Damiani, September |
2016 | Elizabeth Albert, “Silent Beaches, Untold Stories: New York City's Forgotten Waterfront” (contributor) Published by Damiani, September |
Meredith Davis, “The Transformation of New York’s Waterways in Lorenz’ Tide and Current Taxi,” Open Rivers Journal, Summer Issue | |
Jarrett Earnest, “In Conversation,” Brooklyn Rail, February | |
Martha Schwendener, “Cradle of Contemporary Art,” New York Times, April | |
Jane L. Levere, (review) “Exhibition at Parrish Museum,” New York Times, June | |
Hilarie Sheets, “Inside Art,” New York Times, January | |
2015 | The New Explorers, Kris Timkin, with forward by Lucy Lippard, Conveyance Press, October | Speculations (the Future Is ___), published by Tripple Canopy, October | Arcadia, reviewed by Cate Mcquaid, Boston Globe, August | Best of 2014, Jerry Salts, New York Magazine, January | 2014 | Interview Magazine, Christopher Bollen, "Marie Lorenz" | Gallerist NY, Andrew Russeth, "Spring Arts Preview: Top 10 Gallery Shows" | The New York Times, Mara Hoberman, "Frieze New York Comes into It's Own" | The Wall Street Journal, Andy Battaglia, "Artist Giving Boat Rides at Frieze New York" | The New York Times: City Blog, Annie Correal, "New York Today: An Island of Art" | T Magazine, Su Wu, "Art Matters, At Frieze New York, Mixing Pleasure with Business" | Hyperallergic, Jillian Steinhauer, "An Artist's Aquatic Adventure Around Frieze" | Vulture, Jerry Saltz, "The Best of Frieze and the Outsider Fairs" | 2013 | Cahiers Intempestifs, Revue dArt Contemporain, Saint-Etienne, FRANCE |
Island of the Dead, Nowhere Magazine, issue 7 | |
Riding the Tide, Adrian Shirk, Wilder Quarterly, Summer/Fall | 2012 | Marie Lorenz: Archipelago, Art in Review by Roberta Smith, New York Times, March 29th |
Short List, Archipelago, New Yorker Magazine, March | |
Jerry Saltzss Top 10 Art Picks of 2012, New York Magazine, December | |
Reject the Market, by Jerry Saltz, New York Magazine, April | |
Flotsam and Jetsam, Bomblog interview by Jennifer Coates, April | |
The Independent, Reviewed by Roberta Smith, New York Times, March 8th | |
2010 | OP-Art; Gotham by Rowboat, New York Times, September |
Shipwrecks, Critic's Pick, Artforum.com, January | |
Shipwrecked, Carolina Miranda, WNYC Arts and Culture Roundup, January | 2006 | Artists’ Artists, Andrea Zittel, Artforum, December |
2005 | Colin Moynehan, New York Times, November 8th |
At Sea, by Ben McGrath, Talk of the Town, New Yorker Magazine, October 17 | |
Fearless Vampire Killers, reviewed by Holland Cotter, New York Times, April | |
Socrates Sculpture Park, Itinerary, Sculpture Magazine, January | |
2004 | Rowdy Remix, Critic’s pick, Artforum.com, August |
Solo Show Solo Soul, Critic’s pick, Artforum.com, July |
past projects
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
Collographs: Smokey Hill River
Waverunner Xv: Indices and Abstractions
2010
2009
2008
2007
I Had Made My Home by the Shore
2006
2005
First Annual Huron Street Pier Invitational Boat Launch
The Museum of the Five Coldest Nights of My Life
Your Own Mind is a Sacred Enclosure
2004
Man is Man Wherever You Find Him
The History of the Last Five Minutes
2003
2002
Looking for an Autonomous Zone
2001
1991
Marie Lorenz © 2024
All rights reserved.