{"id":1001,"date":"2025-12-31T12:00:00","date_gmt":"2025-12-31T12:00:00","guid":{"rendered":"https:\/\/marielorenz.com\/?post_type=page&amp;p=1001"},"modified":"2025-12-31T12:00:00","modified_gmt":"2025-12-31T12:00:00","slug":"statement","status":"publish","type":"page","link":"https:\/\/www.marielorenz.com\/index.php\/statement\/","title":{"rendered":"Text"},"content":{"rendered":"<h4>Bibliography<\/h4>\n<ul>\n<li><a href=\"https:\/\/brooklynrail.org\/contributor\/Marie-Lorenz\" target=\"_blank\" rel=\"noopener\">Frottage, Takuhon, and the Gyotaku Methods, Brooklyn Rail, February 2022 Issue<\/a><\/li>\n<li><a href=\"https:\/\/urbanomnibus.net\/2021\/12\/unlikely-attractions\/\" target=\"_blank\" rel=\"noopener\">Dylan Gauthier, \u201cUnlikely Attractions,\u201d Urban Omnibus, December 2021<\/a><\/li>\n<li><a href=\"https:\/\/drive.google.com\/open?id=1qhr47CS6AIfaC0wXqZ5UHD0RSK6468nr\" target=\"_blank\" rel=\"noopener\">Robert Sullivan, \u201cLa Derive,\u201d A Public Space, Winter 2017, Issue 25<\/a><\/li>\n<li><a href=\"http:\/\/www.silentbeaches.com\/\" target=\"_blank\" rel=\"noopener\">Elizabeth Albert, \u201cSilent Beaches, Untold Stories: New York City\u2019s Forgotten Waterfront,\u201d Published by Damiani, September 2016<\/a><\/li>\n<li><a href=\"http:\/\/editions.lib.umn.edu\/openrivers\/article\/re-imagining-the-river-the-transformation-of-new-yorks-waterways-in-marie-lorenzs-tide-and-current-taxi\/\" target=\"_blank\" rel=\"noopener\">Meredith Davis, \u201cThe Transformation of New York\u2019s Waterways in Lorenz\u2019 Tide and Current Taxi,\u201d Open Rivers Journal, Summer Issue, 2016<\/a><\/li>\n<li><a href=\"http:\/\/brooklynrail.org\/2016\/03\/art\/marie-lorenz-with-jarrett-earnest\" target=\"_blank\" rel=\"noopener\">Jarrett Earnest, \u201cIn Conversation,\u201d Brooklyn Rail, February 2016<\/a><\/li>\n<li><a href=\"https:\/\/drive.google.com\/open?id=1XQpSic1RPmYvXpRn5gJ49XkGOwzMUnj8\" target=\"_blank\" rel=\"noopener\">Kris Timkin, with forward by Lucy Lippard, \u201cThe New Explorers,\u201d Published by Conveyance Press, 2015<\/a><\/li>\n<li><a href=\"https:\/\/www.canopycanopycanopy.com\/contents\/speculations-the-future-is\" target=\"_blank\" rel=\"noopener\">Marie Lorenz, \u201cSpeculations (the Future Is ___),\u201d Published by Triple Canopy, 2015<\/a><\/li>\n<li><a href=\"http:\/\/www.interviewmagazine.com\/art\/marie-lorenz\" target=\"_blank\" rel=\"noopener\">Christopher Bollen, \u201cMarie Lorenz,\u201d Interview Magazine, May 2014<\/a><\/li>\n<li><a href=\"http:\/\/www.cahiers-intempestifs.com\/27-marielorenz.html\" target=\"_blank\" rel=\"noopener\">Cahiers Intempestifs, Revue d\u2019Art Contemporain, Saint-Etienne<\/a><\/li>\n<li><a href=\"http:\/\/www.nytimes.com\/2012\/03\/30\/arts\/design\/marie-lorenz-archipelago.html\" target=\"_blank\" rel=\"noopener\">Roberta Smith, \u201cArt in Review, Marie Lorenz: Archipelago,\u201d New York Times, March 29, 2012<\/a><\/li>\n<li><a href=\"http:\/\/nymag.com\/arts\/art\/rules\/reject-the-market-2012-4\/\" target=\"_blank\" rel=\"noopener\">Jerry Saltz, \u201cReject the Market,\u201d New York Magazine, April 2012<\/a><\/li>\n<li><a href=\"https:\/\/bombmagazine.org\/articles\/flotsam-and-jetsam-marie-lorenz\/\" target=\"_blank\" rel=\"noopener\">Jennifer Coates, \u201cFlotsam and Jetsam,\u201d Bomb Magazine (Blog) Interview, April 2012<\/a><\/li>\n<li><a href=\"http:\/\/www.nytimes.com\/2006\/11\/08\/nyregion\/08boats.html\" target=\"_blank\" rel=\"noopener\">Colin Moynehan, \u201cNew York From the Waterline,\u201d New York Times, November 2005<\/a><\/li>\n<li><a href=\"http:\/\/www.newyorker.com\/magazine\/2005\/10\/17\/at-sea\" target=\"_blank\" rel=\"noopener\">Ben McGrath, \u201cAt Sea,\u201d (Talk of the Town) New Yorker Magazine, October 2005<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Bibliography Frottage, Takuhon, and the Gyotaku Methods, Brooklyn Rail, February 2022 Issue Dylan Gauthier, \u201cUnlikely Attractions,\u201d Urban Omnibus, December 2021 Robert Sullivan, \u201cLa Derive,\u201d A Public Space, Winter 2017, Issue [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1001","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.marielorenz.com\/index.php\/wp-json\/wp\/v2\/pages\/1001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marielorenz.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.marielorenz.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.marielorenz.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marielorenz.com\/index.php\/wp-json\/wp\/v2\/comments?post=1001"}],"version-history":[{"count":0,"href":"https:\/\/www.marielorenz.com\/index.php\/wp-json\/wp\/v2\/pages\/1001\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.marielorenz.com\/index.php\/wp-json\/wp\/v2\/media?parent=1001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}